He has long since dispensed with a single signature style in favor of the query or search, itself. that is to say, in lieu of an ongoing series of uniform structures and ensembles with a consistent autographic aesthetic, gronquist pursues fluidity & flexibility as a first principle; he is constantly stalking the perfect material fusion of form and concept in a state of low-grade vigilance, searching for exploitable disjunctions in their temporal collision.
Gronquist’s paintings, for example, are defined by simple gestural strokes that slash the pictorial field, simultaneously evoking triumphal ab-ex mark-making as well as the more subtle interventions of minimalist practitioners such as lucio fontana. by hewing closely to the bare minimum of color and line, gronquist is able to sidestep the more grandiose and bombastic legacy of his predecessors in favor of a slight disruption or disturbance in his visual field.